Understanding the New York Mayor's Sartorial Statement: What His Suit Reveals Regarding Contemporary Masculinity and a Changing Culture.
Coming of age in London during the noughties, I was always immersed in a world of suits. They adorned City financiers rushing through the Square Mile. You could spot them on fathers in Hyde Park, playing with footballs in the golden light. At school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of seriousness, projecting authority and performance—qualities I was expected to embrace to become a "man". However, until lately, people my age appeared to wear them less and less, and they had all but vanished from my mind.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Propelled by an innovative campaign, he captured the world's imagination unlike any recent contender for city hall. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing was mostly unchanged: he was frequently in a suit. Loosely tailored, modern with soft shoulders, yet conventional, his is a typically professional millennial suit—that is, as typical as it can be for a cohort that rarely bothers to wear one.
"This garment is in this strange position," notes men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal settings: marriages, funerals, and sometimes, legal proceedings," Guy explains. "It is like the kimono in Japan," in that it "essentially represents a tradition that has long ceded from everyday use." Many politicians "don this attire to say: 'I represent a politician, you can have faith in me. You should vote for me. I have legitimacy.'" But while the suit has historically signaled this, today it performs authority in the hope of gaining public confidence. As Guy elaborates: "Because we are also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a nuanced form of drag, in that it enacts masculinity, authority and even proximity to power.
Guy's words resonated deeply. On the rare occasions I require a suit—for a ceremony or formal occasion—I retrieve the one I bought from a Tokyo retailer several years ago. When I first selected it, it made me feel sophisticated and high-end, but its tailored fit now feels passé. I imagine this sensation will be only too familiar for numerous people in the diaspora whose families come from other places, particularly global south countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's silhouette goes through trends; a specific cut can therefore define an era—and feel quickly outdated. Consider the present: more relaxed suits, echoing Richard Gere's Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something destined to fall out of fashion within a few seasons. But the attraction, at least in certain circles, endures: recently, department stores report tailoring sales rising more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a moderate price bracket. "He is precisely a reflection of his background," says Guy. "In his thirties, he's neither poor nor exceptionally wealthy." Therefore, his moderately-priced suit will resonate with the group most likely to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often discontented by the cost of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly align with his stated policies—which include a capping rents, building affordable homes, and fare-free public buses.
"It's impossible to imagine a former president wearing this brand; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and was raised in that New York real-estate world. A power suit fits seamlessly with that elite, just as more accessible brands fit naturally with Mamdani's constituency."
The history of suits in politics is long and storied: from a former president's "controversial" beige attire to other world leaders and their notably polished, tailored sheen. As one British politician learned, the suit doesn't just clothe the politician; it has the power to characterize them.
The Act of Normality and Protective Armor
Perhaps the point is what one scholar refers to the "performance of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's specific selection leverages a deliberate understatement, neither shabby nor showy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. However, experts think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't neutral; scholars have long pointed out that its contemporary origins lie in imperial administration." It is also seen as a form of protective armor: "It is argued that if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might doubt it.
Such sartorial "code-switching" is hardly a new phenomenon. Even historical leaders once wore three-piece suits during their early years. These days, other world leaders have started exchanging their typical fatigues for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's public persona, the struggle between belonging and otherness is visible."
The suit Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters look for as a marker of leadership," says one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure selling out his distinctive roots and values."
But there is an acute awareness of the different rules applied to suit-wearers and what is interpreted from it. "That may come in part from Mamdani being a millennial, skilled to assume different identities to fit the occasion, but it may also be part of his diverse background, where code-switching between cultures, traditions and clothing styles is common," commentators note. "White males can remain unnoticed," but when women and ethnic minorities "seek to gain the authority that suits represent," they must carefully negotiate the expectations associated with them.
Throughout the presentation of Mamdani's public persona, the dynamic between somewhere and nowhere, inclusion and exclusion, is visible. I know well the awkwardness of trying to conform to something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, appearance is not without meaning.